In E. Castelnuovo, P. Fossati – G. Sergi (eds. L’attività artistica presso il monastero di San Vincenzo al Volturno in età carolingia, in F. De Rubeis, F. Marazzi (eds. 2020–23 Member, by invitation, ICMA–International Center of Medieval Art ‘New Initiatives Working Group’. 2015 Annual Art History Research Seminar, Oslo University. Press alt + / to open this menu. Bei der olfaktorischen Entwicklung dieses Duftes trifft die unverwechselbare Zitrus-Transparenz auf die Düfte von Moschus und Rinde. 2016 Oxford Talks, Late Antique and Byzantine Archaeology and Art Seminar, Oxford, Oxford University. After the Text: Byzantine Enquiries in Honour of Margaret Mullett, eds. ), Florence, SISMEL Edizioni del Galluzzo, 2016, 247–72. 2021 Beyond Human Grasp. 2011 Craft Production in Early Western Monasticism: Rules, Spaces, Products, in H. Dey, E. Fentress (eds. 2002 Tra Arechi II e Giorgio d’Antiochia: il gusto dei principi e il vetro nell’architettura italiana meridionale (VIII-XII sec. ), La mémoire des pierres. 2014 Il mito dell’eroe classico, la ‘rinascenza’ macedone e la cassetta a rosette di Cava, in M. Galante, G. Vitolo, G. Zanichelli (eds. 2017 Plenary lecture, Conference ‘The Miracles of the Virgin Mary: Medieval Narratives through Time and Space’, National University of Ireland, Maynooth, opening speaker. 2019 The ‘Cintola’ (Girdle) of Pisa Cathedral and Mary as Ecclesia, in Le rideau, le voile et le dévoilement du Proche-Orient ancien à l’Occident mèdièval, é. Palazzo, L.-J. 2002–03 Post-Doc Stipendiatin, Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte, Rome. Confronti tecnico-stilistici con la cornice paleologa del Mandylion e altri oggetti affini, in G. Wolf, C. Dufour Bozzo, A.R. Join Facebook to connect with Francesco Acquaye and others you may know. 2020 Pseudo-Dionysius and the Dormition of the Virgin Platytéra (‘Wider Than the Heavens’), in F. Dell’Acqua, E. S. Mainoldi (eds. Insediamenti montani e rurali nell’Italia longobarda, alla luce degli ultimi studi, C. M. Lambert, F. Pastore (eds. 2019 Mary as ‘scala caelestis’ in Eighth and Ninth Century Italy, in The Reception of the Mother of God in Byzantium: Marian Narratives in Texts and Images, M. B. Cunningham, T. Arentzen (eds. 2020 ICMA–International Center of Medieval Art selected my proposal for two sessions on ‘The Virgin as Auctoritas. Il mondo dell'artista medievale, Grandi Opere, Rome, Laterza, 2004, 20–25, 56–63. International speakers as well as 30 young scholars recipient of travel grants attended the workshop (c. E 30.000). Scoperte, produzione, commercio, iconografia. ), The ‘Amalfi’ and the ‘Salerno’ Ivories and the Arts in the Medieval Mediterranean. Acqua di Parma Colonia Quercia è un profumo magnetico e potente. Materials, Methods, and Expressions, Reading Medieval Sources 3, E. Carson Pastan, B. Kurmann-Schwarz (eds. Cento anni di studi e ricerche, Studi Vulturnensi 3, Cerro a Volturno, Volturnia Edizioni, 2013, 27–47. Objects, Histories, Contexts, La chiesa altomedievale di Sant’Ambrogio a Montecorvino Rovella. 2003 F. Dell’Acqua, ‘Illuminando colorat’. Birmingham Byzantine and Ottoman Studies 27, Abingdon-on-Thames and New York, Routledge, 416 pp. Il colore nel Medioevo. L. James, O. Nicholson, R. Scott, Abingdon, Routledge. The Authority of the Virgin Mary and Female Moral–Doctrinal Authority in the Middle Ages’ at the British Association for Art History Annual Conference, University of Birmingham, April 2021 (amount to be confirmed). Milano e suoi santi in Langobardia Minor nel IX secolo, in Lo sguardo di Orione. Atti del convegno (Salerno 28 Giugno 2008), Salerno, Gruppo Archeologico Salernitano, 2009, 75–92. ), Sindbad mediterraneo. 2006 21st International Congress of Byzantine Studies, London. Sign Up. Topografia e strutture degli insediamenti monastici fra l’età carolingia e l’età della Riforma (secoli VIII-XII). 2019 Conference Iconographiae, Università Ca’ Foscari, Venice. In E. Castelnuovo, P. Fossati – G. Sergi (eds. Studies in Honor of Hans Belting, special issue of ‘Convivium’, 2/1 (2015), 102–25. 2004 International conference ‘Hierotopy, the making of sacred space’, Moscow, Tretjakov Gallery. 2016 Member, selecting committee, proposals for scheme Scientific Projects of National Importance (PRIN), Italian Ministery of University and Research (MIUR). International Colloquium of the Corpus Vitrearum (Zurich, 30th of June -4th of July 2008), Bern, Peter Lang AG, 2010, 11–22. 2016 Oxford Talks, The Cult of Saints in the First Millennium Seminars, Oxford, Oxford University. 2013 L’acqua nella memoria sacra di Edessa attraverso la cornice del Mandylion di Genova, in R. Morosini, C. A. Lee (eds. 1999 International conference ‘L’artista Medievale’, Modena. ), Arti e tecniche del Medioevo, Turin, Einaudi, 2006, 312–26. 2016–22 Initiator, research group on the theological/iconographic theme of the Hypapante (Presentation in the Temple of Christ Child) between East and West; in Autum 2022 I will convene, with Fr Damaskinos Olkinuora and prof. Mary Cunningham, a workshop on this theme at the Dumbarton Oaks Center for Byzantine Studies-Harvard University. 2006 Glass and Natural Light in the Shaping of Sacred Space in the Latin West and in the Byzantine East, in A. M. Lidov (ed. 2009 Arechi II: la promozione artistica come tratto ‘eroico’?, in G. D’Henry, C. M. Lambert (eds. Facebook. ), La vetrata in Occidente dal IV all’XI secolo. di Bernareggi & C., 2001, 79–85. Atti del XVI Congresso internazionale di studi sull’alto medioevo, Spoleto, 20-23 Ottobre 2002, Benevento 24-27 ottobre 2002, Spoleto, Fondazione Centro Italiano di Studi sull’Alto Medioevo, 2003, II, 1351–76. ), The ‘Amalfi’ and the ‘Salerno’ Ivories and the Arts in the Medieval Mediterranean. 2017 Centre for Byzantine, Ottoman, Modern Greek Studies Seminars, University of Birmingham. 2013 The Fall of the Idol on the Frame of the Genoa Mandylion: a Narrative on/of the Borders, in B. Crostini Lappin, S. La Porta (eds. ), I monasteri nell’alto medioevo. ), Pompei, 22-25 Marzo 2000, Rome, A.I.S.C.O.M., 2001, 417–26. 2018 Conference series Histoires chrétiennes en images, INHA, Paris. 4-apr-2016 - Discover Haapsalu Airfield in Ridala Parish, Estonia: This abandoned fighter jet launch center is now a haunting street racing course. Online Essen bestellen bei Partenopeo über Lieferando.de. 2017 Conference ‘Iconoclasm and Iconophilia’, Rjieka, Croatia. Atti delle giornate di studi, Lucca, Villa Bottini, 23–25 Settembre 1999. Mélanges d'archéologie, d'art et d'histoire en l'honneur de Christian Sapin, Bibliothèque de l'Antiquité Tardive-BAT 29, Turnhout, Brepols, 2016, 337–47. 2018 Public lecture, Hans Belting Library, Masaryk University, Brno. 2017 Evening public lecture, Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte, Rome. L’attività artistica presso il monastero di San Vincenzo al Volturno in età carolingia, in F. De Rubeis, F. Marazzi (eds. 2018 Iconophilia in Italy, c.680–880. 2016 F. Dell'Acqua, A. Cupolo, P. Pirrone (eds. Acqua I by Francesco Cusumano: Amazon.de: Küche & Haushalt Select Your Cookie Preferences We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use our services so we can make improvements, and display ads. Objects, Histories, Contexts, Berlin, Dietrich Reimer Verlag GmbH | Gebr. 2016 Member, selecting committee, proposals for scheme Scientific Projects of National Importance (PRIN), Italian Ministery of University and Research (MIUR). 2019 Mary as ‘scala caelestis’ in Eighth and Ninth Century Italy, in The Reception of the Mother of God in Byzantium: Marian Narratives in Texts and Images, M. B. Cunningham, T. Arentzen (eds. presso il monastero di San Vincenzo al Volturno (Molise), in Atti delle 2e giornate nazionali di studio. Echoes of Milan in Ninth-Century Langobardia Minor? Karl der Grosse und Papst Leo III. 1999 Annual conference, Italian committee of the Association Internationale pour l'Histoire du Verre, Massa Martana (Perugia). 2010 International conference ‘New Light on Old Glass: Byzantine Glass and Mosaics’, London, British Museum. or. ), in collaboration with R. Ousterhout, Restoring Byzantium: The Kariye Camii in Istanbul and the Byzantine Institute Restoration (exh. 1993–96 Team member, excavations of the early medieval monastery of San Vincenzo al Volturno, Central Italy, run by the British School, the University of East Anglia at Norwich, and the University of Sheffield. 2004 Glassmakers in the West between Antiquity and Middle Ages, and Lux et vitrum: The Evolution of Stained Glass from the Late Roman Empire to the Gothic Age, in M. Beretta (ed. 2010 The Christ from San Vincenzo al Volturno (9th c.): Another Instance of ‘Christ’s Dazzling Face’, in S. Trümpler (ed. 2001 F. Dell'Acqua, Deborah James, Chapter 6: The Window-Glass, in J. Mitchell, I.L. 2015 Member, selecting committee, ‘PISCOPIA GRANTS’, a Marie Skłodowska-Curie COFUND Programme, University of Padua. Forthcoming Narratives of Fluency: Miracles of Mary and Mariology between Byzantium and the West, in. ), La cripta dell'abate Epifanio a San Vincenzo al Volturno. Traduzioni in contesto per "l'acqua calma" in italiano-francese da Reverso Context: La mente indisturbata è come l'acqua calma corpo che riflette la brillantezza della luna. ), in F. Sogliani, C. Piccioli (eds. 2010 Conference ‘Hands on: Seven perspectives on the material transformation of art’, London, Courtauld Institute of Art. Per una topografia della memoria da Oriente a Occidente, Filigrane 24, Lecce, Pensa Multimedia Editore, 2013, 65–98. In Il fuoco nell’alto medioevo. Language Proficiency: Italian: native; English, read, written and fluently spoken; German: read and spoken; Turkish: basic; Latin and Ancient Greek: studied at High School; Medieval Latin: studied at University. Le cintole di Maria nella Toscana medievale – prodromi, in Il pane di segale. 2012 International conference ‘Il fuoco nell’alto medioevo – LX Settimana di Studio’, Spoleto, Centro di Studi sull’Altomedioevo. Cento anni di studi e ricerche, Studi Vulturnensi 3, Cerro a Volturno, Volturnia Edizioni, 2013, 27–47. 1999–00 American Academy in Rome, Fulbright Grant for Post-Classical Studies ($ 9000). Medioevo scavato VII – Schola Salernitana, Florence, All’Insegna del Giglio, 2012, 157–72. Mélanges d'archéologie, d'art et d'histoire en l'honneur de Christian Sapin, Bibliothèque de l'Antiquité Tardive-BAT 29, Turnhout, Brepols, 2016, 337–47. 2019 Magnificat. 2013 International conference ‘Les cinq sens au Moyen Age (II)’, Université de Poitiers. Marie-Madeleine et Thomas dans les Ivoires de Salerne, in ‘Cahiers de civilisation médiévale’, 55 (2012), 571–98. 2005 Les vitraux du monastère de San Vincenzo al Volturno (région du Molise, Italie centrale), in D. Foy (ed. 2013 Bibliotheca Hertziana/Max-Planck Institut für Kunstgeschichte, Rome, Summer stipend (E 3.200). See more of Agropoli Eventi 1 on Facebook. 1999 International conference ‘L’artista Medievale’, Modena. ), Hierotopy. Firenze), B. Brenk (Univ. 2008 ‘Il grande foglio del mare’: gli avori di Salerno e il Mediterraneo medievale, in ‘Rassegna Storica Salernitana’, 50 (2008), 103–24. Parvenus eclettici e il canone estetico della varietas, Ambrogio Autperto e la Cripta di Epifanio, Il fuoco, le vetrate delle origini e la mistica medievale, Craft Production in Early Western Monasticism. Riflessioni sui dati scientifici, in D. Ferrari (ed. 2016 F. Dell’Acqua, A. Cutler, H. L. Kessler, A. Shalem, G. Wolf (eds. Not Now. 2010 Glass, in The Classical Tradition, A. T. Grafton, G. W. Most, S. Settis (eds. 2017–18 Consultant, ERC Consolidator Grant, Masaryk University, Brno. Objects, Histories, Contexts, La chiesa altomedievale di Sant’Ambrogio a Montecorvino Rovella. ), La vetrata in Occidente dal IV all’XI secolo. 1998 Scuola Normale Superiore of Pisa, travel grants to study in Germany (ITL 1.400.000), and at the Warburg Institute and the Institute of Archaeology in London (ITL 700.000). 2017–19 Affiliated scholar, Centre for Byzantine, Ottoman and Modern Greek Studies, School of History and Cultures, College of Arts and Law, Arts Building, University of Birmingham. ), Iuxta flumen Vulturnum. Il vetro nelle architetture di Brescia, Cividale, Salerno, San Vincenzo al Volturno, Farfa. Email or Phone: Password: Forgot account? The Authority of the Virgin Mary and Female Moral–Doctrinal Authority in the Middle Ages’; the eighth-paper session will lead to the constitution of a research group under my direction. 2004 The Stained-Glass Windows from the Chora and the Pantocrator: A ‘Byzantine’ Mystery?, in H. Klein (ed. 2013 Borders of Experimentalism: Glass in the Frame of the Genoa Mandylion, in C. Entwistle, L. James (eds. 1994 Free-Mover Erasmus Grant, European Commission, in order to spend a semester at the University of East Anglia, Norwich. in ‘Journal of Glass Studies’, 43 (2001), 89–105. Mann Verlag | Deutscher Verlag für Kunstwissenschaft, 2016, 211–39. Atti dell’VIII Giornata di Studi del Comitato Nazionale Italiano dell’A.I.V.H.-C.I.S.A.M., Spoleto, 20-21 Aprile 2002, Imola, Editrice La Mandragora, 2006, 65–75. 2016 Oxford Talks, The Cult of Saints in the First Millennium Seminars, Oxford, Oxford University. or. Matteo DELL'ACQUA, Assistant Professor | Cited by 486 | of Scuola Superiore Sant'Anna, Pisa (SSSUP) | Read 72 publications | Contact Matteo DELL'ACQUA https://www.strategiaworldwide.com/our-people/francesca-dell-acqua Il caso di San Vincenzo al Volturno a confronto con le esperienze italiane ed europee, Rome, Viella, 2008, 289–308. The Christ from San Vincenzo al Volturno (9th c.): Glass and Natural Light in the Shaping of Sacred Space, The Stained-Glass Windows from the Chora and the Pantocrator, Marie Skłodowska-Curie Fellowship n° 657240, Conference series Histoires chrétiennes en images, INHA, Paris. 2019 F. Dell’Acqua, C. Gantner, Resenting Iconoclasm. ), Arti e Storia nel Medioevo III, Del vedere: pubblici, forme e funzioni, Turin, Giulio Einaudi Editore, 2004, 369–403. 2001 La presenza/assenza dei vetrai nelle fonti scritte (secoli IV-XI), in F. Dell'Acqua, R. Silva (eds. 2012 Les cinq sens et la connaissance de Dieu. 2004 San Vincenzo al Volturno: aggiornamento sulle ricerche, in E. De Sena, H. Dessales (eds.) Collana di studi sul colore 3, Lucca, Istituto Storico Lucchese–Scuola Normale Superiore di Pisa–Corpus Vitrearum Medii Aevi Italia, 2001. 2006 Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte of Rome, Hanno and Ilse Hahn Prize for the ‘outstanding contribution to Art History’ – first woman and youngest scholar (E 2.500). XIXth International Colloquium, Kraków 1998, 14-16 May, Stained glass as monumental painting, Proceedings, Kracow, Academy of Fine Arts, 1999, 81–95. Prima campagna di studi archeologici e storico-artistici, in ‘Hortus Artium Medievalium’ 24 (2018), 417–42. SPEDIZIONI GRATUITE PER ORDINI SUPERIORI O PARI A 59€ Il mio Account; Il mio Account. 2003 Tra Arechi II e Giorgio d’Antiochia: il gusto dei principi e il vetro nell’architettura italiana meridionale (VIII-XII sec. 2014–17 Associate for Italy, Board of Directors, ICMA–International Center of Medieval Art, NYC. 2020 Italian national qualification as Full Professor in History of Art (ASN 2018–20), valid until Dec 2029. Il colore nel Medioevo. 2008 Catalogue Entries: 14 (Capitello), 66 (Turibolo), 67 (Grifo), 68 (Olifante), in A. Calzona (a cura di), Matilde e il tesoro di Canossa tra castelli, monasteri e città (exhib. Studi di storia dell’arte per Mario Alberto Pavone, A. Amendola, L. Lorizzo, D. Salvatore (eds. ), Arti e Storia nel Medioevo III, Del vedere: pubblici, forme e funzioni, Turin, Giulio Einaudi Editore, 2004, 369–403. Objects, Histories, Contexts, Berlin, Dietrich Reimer Verlag GmbH | Gebr. 2004 San Vincenzo al Volturno: aggiornamento sulle ricerche, in E. De Sena, H. Dessales (eds.) Basel), 70/70 summa cum laude. Il mondo dell'artista medievale, Grandi Opere, Rome, Laterza, 2004, 20–25, 56–63. 2003 …Mundus habet noctem, detinet aula diem. 2004 Le quattro lamine di rivestimento in filigrana, and La legatura del Cod. 1998 19th International Congress, Corpus Vitrearum Medii Aevi, Kracow, Poland. Objects, Histories, Contexts, Berlin, Dietrich Reimer Verlag GmbH | Gebr. 2021 key-speaker at the international conference ‘The Virgin beyond borders’, Oxford, Ioannou Centre. Patrizia Calamai Ansideri is on Facebook. Reynolds (eds. ), The ‘Amalfi’ and the ‘Salerno’ Ivories and the Arts in the Medieval Mediterranean. 2011 22nd International Congress of Byzantine Studies, Sofia. Il vetro nelle architetture di Brescia, Cividale, Salerno, San Vincenzo al Volturno, Farfa. 2002 Una vetrata ‘all’antica’ di età carolingia, in ‘Journal of Glass Studies’, 44 (2002), 196–9. ), Corpus Vitrearum Medii Aevi. Angestellt, Sales Development Representative, ContractPodAi. Milano e suoi santi in Langobardia Minor nel IX secolo, in Lo sguardo di Orione. 2012 Il volto di Cristo e il dilemma dell'artista: un esempio di IX s., in M. M. Donato, M. Ferretti (eds. 2005 Enhancing Luxury Through Stained Glass, from Asia Minor to Italy, in ‘Dumbarton Oaks Papers’, 59 (2005), 193–211. 1998 19th International Congress, Corpus Vitrearum Medii Aevi, Kracow, Poland. ), Gli avori medievali di Amalfi e Salerno. 2013 Dumbarton Oaks Center for Byzantine Studies-Harvard University, One-month stipend ($ 3.000). 2011 The ‘Salerno’ Ivories. The Authority of the Virgin Mary and Female Moral–Doctrinal Authority in the Middle Ages’ at the British Association for Art History Annual Conference, University of Birmingham, April 2021 (amount to be confirmed). 1999 Istituto Storico Lucchese, sponsored the symposium I conceived and organised La vetrata in Occidente dal IV all’XI secolo, Lucca (ITL 20.000.000). Studi e Ricerche di Archeologia e Storia dell’Arte 3. 2013 Direktion Wolf, Kunsthistorisches Institut/Max-Planck-Institut Florenz, funded the publication and the photographic campaign of the book I co-edited: The Salerno Ivories: Objects, Histories, Contexts, eds. 2007 International symposium ‘Spaces of Early Western Monasticism’, American Academy in Rome. 2020 Un nuovo paesaggio sacro? 2001 F. Dell'Acqua, Deborah James, Chapter 6: The Window-Glass, in J. Mitchell, I.L. 2016 International conference ‘Voilé-Dévoilé, le rideau dans la culture chrétienne de l'Antiquité & du Moyen âge’, Univ. Vademecum, Opere e Territorio: Vademecum 1, Amalfi, Centro di Cultura e Storia Amalfitana, 2016. View the profiles of people named Francesco Acquaye. Forthcoming Byzantium beyond Byzantium: What about Greek(s) in Eighth-Century Italy?, in Global Byzantium. 1996–99 Fully funded PhD scholarship by the Scuola Normale Superiore di Pisa (ITL 54.000.000). ), Gli avori medievali di Amalfi e Salerno. The latter has been the major funding institution. 2013 L’acqua nella memoria sacra di Edessa attraverso la cornice del Mandylion di Genova, in R. Morosini, C. A. Lee (eds. 2008 ‘Il grande foglio del mare’: gli avori di Salerno e il Mediterraneo medievale, in ‘Rassegna Storica Salernitana’, 50 (2008), 103–24. ), Pseudo-Dionysius and Christian Visual Culture, c.500–900. ), Il popolo dei Longobardi meridionali (570-1076). Arte Simbolo Tecnica. 2019 Evening public lecture, Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte, Rome. 1999 Annual conference, Italian committee of the Association Internationale pour l'Histoire du Verre, Massa Martana (Perugia). 2014 Conference ‘Insediamenti montani e rurali nell'Italia longobarda, alla luce degli ultimi studi’, Monte Sant’Angelo sul Gargano. 2002 Annual conference, Italian committee, Association Internationale pour l'Histoire du Verre, Spoleto. 2014–17 Associate for Italy, Board of Directors, ICMA–International Center of Medieval Art, NYC. 2005–20 Assistant Professor in History of Medieval Art (L-ART 01), Cultural Heritage Dept., Università di Salerno, Italy (two maternity leaves: 11/6/07–12/12/07, and 8/3/09–5/10/09). Logg Dich jetzt ein, um das ganze Profil zu sehen. 2015 Annual Art History Research Seminar, Oslo University. Find Francesco Calamai data corrections on AllMusic. Auf der Karte finden und einen Tisch reservieren. 2011 The ‘Salerno’ Ivories. ), Iuxta flumen Vulturnum. (DISPAC), Università di Salerno. 2003 F. Dell’Acqua, ‘Illuminando colorat’. 2016 Medieval Work-in-Progress Seminars, London, Courtauld Institute. Il vetro nelle architetture di Brescia, Cividale, Salerno, San Vincenzo al Volturno, Farfa. 2010 ICMA–International Center of Medieval Art/Kress Research Awards, travel grant as speaker, International Congress on Medieval Studies a Kalamazoo (USA) ($ 1.000). ), Synergies in Visual Culture / Bildkulturen im Dialog, Munich, Wilhelm Fink, 2013, 325–38. 2005 Una epigrafe di Eboli del 1156 e alcune considerazioni sulla figura dell’architetto, in ‘Rassegna Storica Salernitana’, 43 (2005), 9–38. 2010 J. William Fulbright Foreign Scholarship Board (FSB), Fulbright Research Scholarship ($ 6.000). 2000 Sulle attestazioni di artefici nella scultura altomedievale in Italia, in M. M. Donato (ed. I convened it at the SISMEL (Società Internazionale per lo Studio del Medioevo Latino) in Florence (2014), and at the International Medieval Congress in Leeds (2015) sponsored by the ICMA–International Center of Medieval Art and the Kress Foundation. 2005 Les vitraux du monastère de San Vincenzo al Volturno (région du Molise, Italie centrale), in D. Foy (ed. ), Il vetro nell’alto Medioevo. Testimonianze storiche e monumentali. 2005 Una epigrafe di Eboli del 1156 e alcune considerazioni sulla figura dell’architetto, in ‘Rassegna Storica Salernitana’, 43 (2005), 9–38. ), Artifex bonus. International Colloquium of the Corpus Vitrearum (Zurich, 30th of June -4th of July 2008), Bern, Peter Lang AG, 2010, 11–22. 2002–06 Team member, excavations of the Byzantine city of Amorium (Central Anatolia, Turkey), studies glass finds and window plaster frames. La Vergine come gnomon, in ‘Erat hoc sane mirabile in regno Langobardorum’…. Agriculture. 2019 Gerda Henkel Stiftung, ‘Travel Grant’ for the project ‘At the Crossroads of Empires: the Longobard Church of Saint’Ambrogio at Montecorvino, Italy’ (E 13.318). 2020–23 Member, by invitation, ICMA–International Center of Medieval Art ‘New Initiatives Working Group’. Acqua in Bocca, Marsala: 424 Bewertungen von Acqua in Bocca sehen, mit 4,5 von 5 bewertet und eines der 248 Restaurants in Marsala bei Tripadvisor. ), Il popolo dei Longobardi meridionali (570-1076). Berufserfahrung von Francesco Acqua. 2000 Annual conference, Associazione Italiana per lo Studio e la Conservazione del Mosaico, Pompei. Political Organization. Le cintole di Maria nella Toscana medievale – prodromi, in Il pane di segale. 2013 L’acqua nella memoria sacra di Edessa attraverso la cornice del Mandylion di Genova, in R. Morosini, C. A. Lee (eds. Gr. 2020– Associate Professor in Medieval Art at the Cultural Heritage Dept. 2018 Seminar, Institut für Mittelalterforschung, Österreichische Akademie der Wissenschaften. 2018 F. Dell’Acqua, C.M. 2017 The Carbunculus (Red Garnet) and the Double Nature of Christ in the Early Medieval West, in ‘Konsthistorisk tidskrift / Journal of Art History’ 86/3 (2017), 158–72. cat. Massa Martana (PG) 30 Ottobre 1999, Milan, B.T.Z. 2020 Pseudo-Dionysius and the Dormition of the Virgin Platytéra (‘Wider Than the Heavens’), in F. Dell’Acqua, E. S. Mainoldi (eds. Trinità. 2016– Initiator, research project ‘At the Crossroads of Empires: the Longobard Church of Saint'Ambrogio at Montecorvino Rovella, Italy’, a collaborative project: Università di Salerno, University of Birmingham, Comune di Montecorvino Rovella. Francesco CELANI, First Researcher, Team leader. 2002–06 Team member, excavations of the Byzantine city of Amorium (Central Anatolia, Turkey), studies glass finds and window plaster frames. 2013 International conference ‘Les cinq sens au Moyen Age (II)’, Université de Poitiers. Forgot account? 2021–24 Associate for Italy, Board of Directors, ICMA–International Center of Medieval Art, NYC. 2020 ICMA–International Center of Medieval Art selected my proposal for two sessions on ‘The Virgin as Auctoritas. GAIA Florum. 2021–24 Associate for Italy, Board of Directors, ICMA–International Center of Medieval Art, NYC. ), Vitrail, verre et archéologie entre le ve et le xiie siècle, Archéologie et histoire de l’art 31, Paris, CTHS, 2010, 15–20. ), Negotiating Co-Existence: Communities, Culture and Convivencia in Byzantine Society, Bochumer Altertumswissenschaftliches Colloquium 96, Trier, WVT Wissenschaftlicher Verlag, Trier, 2013, 143–73. 2003 Le vetrate. 2001 Annual conference, Italian committee, Association Internationale pour l'Histoire du Verre, Naples. Confronti tecnico-stilistici con la cornice paleologa del Mandylion e altri oggetti affini, in G. Wolf, C. Dufour Bozzo, A.R. 2010 ICMA–International Center of Medieval Art/Kress Research Awards, travel grant as speaker, International Congress on Medieval Studies a Kalamazoo (USA) ($ 1.000). ), Die Klosterkirche Corvey Band 1.1 Geschichte und Archäologie, Denkmalpflege und Forschung in Westfalen Band 43.1.1, Darmstadt, Philipp von Zabern, 2012, 415–35. Prospettive sulla ‘firma’ medievale. 2008 Catalogue Entries: 14 (Capitello), 66 (Turibolo), 67 (Grifo), 68 (Olifante), in A. Calzona (a cura di), Matilde e il tesoro di Canossa tra castelli, monasteri e città (exhib. ), The Single Stained-Glass Panel. 2015 Porta coeli: the Annunciation as Threshold of Salvation, in I. Foletti, H. L. Kessler (eds. After the Text: Byzantine Enquiries in Honour of Margaret Mullett, eds. ), Die Klosterkirche Corvey Band 1.1 Geschichte und Archäologie, Denkmalpflege und Forschung in Westfalen Band 43.1.1, Darmstadt, Philipp von Zabern, 2012, 415–35. ), Bari, Edipuglia, 411–22. Cm 40x50 mixed media sandblasted fresco Certificate of authenticity of the artwork “L’Elitè new Selezione Internazionale D’Arte” The work of this artist, considered artistically valid, was approved on the Annuario di Arte Moderna cat., New York City, Miriam and Ira Wallach Art Gallery, 2004), New York, Columbia University, 2004, 68–77. 2013 Ambrogio Autperto e la Cripta di Epifanio nella storia dell’arte medievale, in F. Marazzi (ed. 2006 Vetrate, in F. Crivello (ed. LX Settimana di Studio (Spoleto, 12-18 Aprile 2012), Spoleto, Centro di Studi sull’Altomedioevo, 2013, 557–97. 2010 45th International Congress on Medieval Studies a Kalamazoo (USA). A. Cutler, F. Dell’Acqua, H. L. Kessler, A. Shalem, G. Wolf, Berlin, 2016 (c. E 40.000). presso il monastero di San Vincenzo al Volturno (Molise), in Atti delle 2e giornate nazionali di studio. 2016 The Hidden Sides of the Salerno Ivories. 2014–19 Initiator, research group on the knowledge of Ps.-Dionysius in the West until the Carolingian translations and on the influence of Ps.-Dionysius on the developments of the Christian visual culture. 2003–05 Research Assistant to prof. Dr. G. Wolf, Director, Kunsthistorisches Institut/Max-Planck-Institut, Florence. ), Abingdon, Routledge. 1994 Free-Mover Erasmus Grant, European Commission, in order to spend a semester at the University of East Anglia, Norwich. 2016 Trame mariane. 1998 La produzione del vetro da finestra nel IX sec. ), New Light on Old Glass: Recent Research on Byzantine Glass and Mosaics, British Museum Research Publication, London, British Museum Press, 2013, 234–41. Sales Development Representative. 2016 The Five Senses and the Knowledge of God. Three conferences were held and hosted by the Centro di Cultura e Storia Amalfitana, Amalfi (2009), the Dumbarton Oaks Center for Byzantine Studies-Harvard University (2011), the Kunsthistorisches Institut/Max-Planck-Institut Florenz (2012). Milano 14-15 Dicembre 1996, Milan, Comune di Milano, Settore Cultura e Musei-Civiche Raccolte Archeologiche, 1998, 201–06. Preliminary Findings on the Painted Programme of Sant'Ambrogio alla Rienna, Montecorvino Rovella (Salerno), in ‘Convivium’, 4/2 (2017), 202–7. 2012 Kunsthistorisches Institut/Max-Planck-Institut Florenz funded the symposium ‘The Tusk and the Book’, I co-convened at the Kunsthistorisches Institut/Max-Planck-Institut, Florence (c. E 20.000). Vitre de l’Antiquité et du Moyen Age (Occident-Orient). Entries in encyclopedias and exhibition catalogues. 2019 Una pieve della Langobardia minor e il trionfo dell’Iconofilia? London, Vereinigtes Königreich. 2008 International conference ‘Topografia della memoria: in viaggio con Sindibad tra spazio e tempo nel Mediterraneo’, Venice, Casa Artom, Wake Forest University. ), Atti del II Convegno multidisciplinare sul vetro in Italia meridionale ed insulare, Settima Giornata Nazionale di Studio-Comitato italiano Comitato Association Internationale pour l’Historie du Verre, Napoli 5-7 Dicembre 2001, Naples, A.I.E.S. 1997–02 Member, project ‘Corpus inscriptionum medievalium ad artefices pertinentium’, based at the Scuola Normale Superiore. Università degli Studi di Salerno - Via Giovanni Paolo II, 132 - 84084 Fisciano (SA), https://unisa.academia.edu/FrancescaDellAcqua, Pseudo-Dionysius and Christian Visual Culture, c.500–900, The Salerno Ivories. 2010 International conference ‘Convivencia in Byzantium? 2018 Conference series Histoires chrétiennes en images, INHA, Paris. di Bernareggi & C., 2001, 79–85. Riflessioni su alcuni dettagli di arredo architettonico nell’Italia meridionale normanna, in ‘Römisches Jahrbuch der Bibliotheca Hertziana’, 35 (2003–04), 49–80. Riflessioni sui dati scientifici, in I Longobardi dei Ducati di Spoleto e Benevento. 2013 Dumbarton Oaks Center for Byzantine Studies-Harvard University, One-month stipend ($ 3.000). 1999 La riscoperta di frammenti di decorazione parietale a Castel Terracena, residenza dei principi normanni di Salerno, in ‘Rassegna Storica Salernitana’, 31 (1999), 7–30. 2019 Lecture, Cesma Seminar Series, Centre for the Study of the Middle Ages, University of Birmingham. A Notebook from the Workshop Convened in Amalfi (December 10–13, 2009), Quaderni del Centro di Cultura e Storia Amalfitana 5, Amalfi, Centro di Cultura e Storia Amalfitana, 2011. ), Western Monasticism Ante Litteram: The Spaces of Monastic Observance in Late Antiquity and the Early Middle Ages. 2014 Italian national qualification as Associate Professor in History of Art (ASN 2012), valid until Feb 2023.
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