But instead of corroding Margolin further, this music uplifts her, more like an exorcism of destructive thoughts than a platform for them. Baby can jump from whining about middle-school crushes to name-dropping denim brands to attempting to encapsulate one of the most tense and unjust moments of our lifetimes. Burna Boy: Twice as Tall … For all of the record’s industrial squall and techno blast beats, it doesn’t just inspire destruction—it asks what you’ll rebuild from the rubble. But even though she’s sick of the bullshit surrounding her, she doesn’t let it consume her being. They are mostly untitled, proceed according to a single tempo across the whole album, and feature a drastically limited instrumental palette. Singer-songwriter Alex Stoitsiadis was supposed to be hollering his hooks over melodic post-hardcore guitars in roiling 250-cap clubs, and the scenes of heartbreak he described were supposed to be playing out for listeners in real life. –Dean Van Nguyen, From the opening disco swagger of “4 American Dollars,” U.S. Girls’ Heavy Light crackles with kinetic energy. The album is always enchanting and full of small surprises: the particularly cartoonish warble of a synth on “Sayonara,” the intimate binaural hums on the meandering “Marafon 15,” the burst of laughter answering the lure of a saxophone on the cosmos-traversing “Plans.” New details peek out on every listen, like elements of wonder waiting to be discovered. The record effortlessly weaves between reggae, cumbia, Ethio-jazz, and more, containing wild energy and profound chill. As his acoustic guitar pulses forward and the details pile up, Elverum gestures toward a deeper, universal history: Look long enough, and you might see yourself in the photos. III. The harpist’s ambient compositions are somber but whimsical, submerging her careful plucks in murky pools of reverb and synth. It makes for a complex and personal statement about the nature and worth of Black creativity and labor. The droll, phantom-like singer writes music for faithless burnouts who still want to believe: lost souls clinging to astrology and fucked-up intimacy, striving to get by in a brutal universe with no pre-ordained meaning. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Alive with the kind of freedom that 2020 mostly failed to deliver, Lipa’s vision of future-pop pairs classic themes of love with enough hope to carry us to a new year. Owens wrote the lyrics in a depressive state following a trauma-release therapy session, transforming that cathartic expulsion of her pain into a record with healing properties of its own. Graphic by Drew Litowitz, photos via Getty Images. When a slightly unfinished version of Jay Electronica’s Act II appeared this October, it had been a little over a decade after its initial slated release, and most fans had given up hope on it ever actually coming out. “Imminent annihilation sounds so dope,” she sings on “My Name Is Dark,” a prescient picture of doomsday raving. https://pitchfork.com/features/lists-and-guides/best-songs-2020/ 20. –Paul A. Thompson, For years, Matmos’ Drew Daniel used his solo project the Soft Pink Truth to join his disparate interests, reimagining punk classics and black metal as squirrelly glitch techno. Pitchfork's Top 25 Songs of 2020. –Chal Ravens, There was the ambient danger that El-P and Killer Mike would eventually begin to bore us with their roughneck brilliance—another bruising Run the Jewels album to add to the pile, is it? –Jazz Monroe, Listen/Buy: Apple Music | Bandcamp | Spotify | Tidal, “My execution might be televised.” That line and others from Freddie Gibbs’ “Scottie Beam” appeared in black marker on handmade signs this summer, held aloft in cities across the country during what may have been the largest wave of civil-rights protests in American history. Now, Crutchfield gazes into the mirror and doesn’t shy away from the reflection. Started as a lockdown exercise for my own benefit, the list grew from there. His songs can be layered and minimal, lingual and graphic, natural and mechanical—all coming together in a work that both registers the omnipotence of imperial history and documents an ongoing restoration process. –Amy Phillips, Historically, there are two trajectories from sweetie childhood star to flawed adult: the bumpy one full of high-profile foibles or the one where they wind up as robots. To revisit this article, visit My Profile, then View saved stories. June 12, 2020. Through it all, clearer-than-ever proof emerges not just of a great band in stride, but a cultural fact: women continue making the most vital rock music now. (All releases featured here are independently selected by our editors. Twice as Tall triumphs not so much for its substance but as a shimmering surface, a landslide victory for the politics of pleasure. Jayda G: “Both of Us” 17. With no stadiums to fill, Swift could take risks that would have previously seemed unimaginable in a discography calibrated to reach the cheap seats: work with the National’s Aaron Dessner as her principal collaborator, duet with Bon Iver, make tracks that sound like Low and the Sundays, drop an s-bomb within the first 20 seconds of the first song. Set My Heart on Fire Immediately, his fifth album, celebrates the endless possibility and vulnerability of the body without losing sight of the fundamental absurdity of the human ordeal. Squarepusher - Oberlove. The fact that Melee conjures a year so different from the one we got is part of why it leaves such a mark: The histrionics of emo aren’t just dramatic, they’re now science fiction. Traditional structures melt into long vamps, as on the tormented psychedelic ballad “Kerosene!,” which distills the album’s beguiling agony. Pitchfork once named Pavement's Gold Soundz as the top song of the 90's. Adrianne Lenker: “anything” 18. It lies at the intersection of beats and ambience, where sounds are just vibrations entering and leaving the body, cleansing it of toxins. Never before has eating cereal sounded like such a riot. Equal parts retro and fresh, Future Nostalgia is redolent of elements from the 1970s, ’80s, and ’90s, nodding to the work of artists like Blondie, Chic, Kylie Minogue, Nile Rodgers, Prince, Madonna, and Daft Punk. A list of Pitchfork's best music of 2020. Frontperson Alli Logout’s jagged vocals dissect poverty, love, and commodified dissent, making The Passion Of the rare contemporary punk album that is actually as revolutionary as it sets out to be. –Mankaprr Conteh, When Big Thief scrapped their international tour this year, Adrianne Lenker found a world of her own in a cabin near the Berkshires of Western Massachusetts. If nothing else, Bob Dylan’s 39th studio album should forever put to rest the idea that the storied songwriter is losing his voice. –Quinn Moreland, Fifteen years ago, on the title track to Extraordinary Machine, Fiona Apple declared, “I still only travel by foot, and by foot, it’s a slow climb.” She worked her way up to the clear heights of Fetch the Bolt Cutters over the course of the last half-decade or so, largely at her L.A. home alongside trusted bandmates and friends and a small shelter’s worth of barking dogs. Charli XCX: how i’m feeling now 47. His nostalgia for reggaetón’s mixtape-era reaches its peak on “Safaera,” a crowning jewel of a record featuring elder statesmen Jowell & Randy and Ñengo Flow, with Bad Bunny’s subterranean voice bridging the past and present. Pitchfork Selects. A list of Pitchfork's best music of 2020. The final addendum came in June: the protest anthem “The Bigger Picture” is a jarring inclusion on an album that isn’t overtly political—and that also makes it perfect. So as she thrashes between anti-capitalist bops and introspective anthems, Sawayama assumes the role of both pop diva and pop rebel, subverting expectations of what the genre could and should stand for. She sings like no one else in indie rock, as though she is guided by a golden energy from within. She turns liquid on the synth-sheathed “Time,” raps on the chaotic “Riquiquí,” and glitches with her voice pitched high on “Rip the Slit.” Presented as the first of four eventual albums, KiCk i shares all the promise of becoming, in both its pain and its joy. The 36 Best Rap Songs of 2020 Baby 9eno: “UUV”. –Jeremy D. Larson, The internet has plenty of playlists full of pillowy background noise, built for tuning out while you dig into the task at hand. Rarely does a particular sound last longer than a single beat. Ungodly Hour is a collection of low-key tracks that demonstrated true mastery of their intricate harmonies over slinky, charismatic production. –Vrinda Jagota, Listen/Buy: Rough Trade | Apple Music | Bandcamp | Spotify | Tidal, While the Korean-American producer Yaeji has anchored her previous work in strobe-lit beats and floor-shaking bass, her first full-length mixtape captures the anxious, aching throb of the morning after a night out. But the best albums of 2020 proved that incredible new music will always make their way to our ears, even in the toughest of times. Alfredo, the dexterous 38-year-old MC’s collaboration with beloved producer the Alchemist, is by turns heavy and light—his “Beam” verse ends with a rude kiss off to an ex in the form of Jordan-Pippen wordplay: “without me the bitch wouldn’t have got a ring.” More than a time capsule, Alfredo is an unruly feast of language. From the very first Earth-shaking piano note, Baby 9eno summons an atmosphere of menace and... Bad Boy Chiller Crew: “450 (2020 Remix)” [ft. S Dog]. Music reviews, ratings, news and more. Eventually, they were shared on Instagram by Gibbs himself, completing an utterly contemporary loop of art and life. –Allison Hussey, It was an album that was rumored to be rap’s next opus before it even materialized. Music reviews, ratings, news and more. “I have a gift, I’ve been told, for seeing what’s there,” she sings on “The Eye,” and her perspective has never sounded so clear. “Oh, emptiness/Tell me about your nature,” she sings on “zombie girl.” While songs mostly consists of Lenker’s silvery vocals and brambled acoustic guitar, and instrumentals turns toward fingerpicked meditations and wind-chime drones, both sound like nothing so much as the rustic abode that Lenker has likened to “the inside of an acoustic guitar.” These records put you right inside that hollow. –Madison Bloom, Ka has spent his 40s laboring over how to animate the ghosts of his home. also why is rain on me so high. But rather than finding comfort in the anthropomorphic gesture, Grimes renders a bleak, if beautiful, portrait of nihilism. Within these entrancing soundscapes, stray ruminations float to the surface. –Eric Torres. Whether she’s fighting the urge to retreat back to bed or striving to permanently block a negative relationship, the 28-year-old singer and producer powers through with an impressively unbothered focus on growth amid the chaos. The opening notes of Lyra Pramuk’s debut album, Fountain, are like a … Music reviews, ratings, news and more. Soccer Mommy: “circle the drain” 12. The 22 Best Songs by Latinx Artists in 2020 By Pitchfork Latin American and U.S. Latinx music is constantly evolving through migration, displacement, and globalization, and in 2020, it was clear that a catch-all term for genre and identity could never capture that multiplicity. It is. “If this is all that we get, so be it,” Kempf insists, a bit of wistful resignation that doubles as a mission statement for their proudly stripped-down approach. Pitchfork’s 100 Best Songs of 2020. GTL is a technical marvel as well as a creative one: producer JoogSZN’s beats retain their funk and low end while making space for Drakeo’s vocals, which come through impressively crisp. The album soars when Megan nods to the greats of rap and R&B, from a jolly rework of Juvenile to the Jazmine Sullivan-indebted bad bitch anthem “Circles.” More than anything, these songs remind us that even when the worst comes to pass, good times might be right around the corner. Putting that lens to the side, his stories about the ease of embracing hate (“Solitude of Enoch”) and post-prison families (“Unto the Dust”) are just as gripping and vivid. The Pitchfork Review: Music From the Podcast. Play The 22 Best Songs by Latinx Artists in 2020, The 35 Best Rock Albums of 2020 and more. As on 2017’s No Shape, producer Blake Mills reveals the music with startling clarity and subtlety, bringing out lifelike strings and trembling synths through sound design as much as conventional production. See which albums are sitting at the top of this year's charts. Rough and Rowdy Ways can be approximately divided into two types of song: the ballads, which nearly evaporate as you listen, and the more conventionally rocking blues-based numbers. Somehow the record doesn’t suffer from the delay, if anything the often drumless production—heavy on somber piano melodies and lush samples—is timeless. On the slow-burning “It’s Lomelda,” she croons off a list of her musical heroes and their work, from Yo La Tengo to Frank Ocean to Sufjan Stevens’ devastatingly spare “The Only Thing.” She turns a conversational bit of advice into a soaring mantra on “Wonder,” repeating the phrase “When you get it, give it all you got, you said” across vocal peaks and valleys. –Sam Sodomsky, On Eternal Atake, Lil Uzi Vert employs an extraterrestrial concept that should be kitschy—in the album’s trailer, he’s jetted into the cosmos in a saucer the size of a city block by a humanoid cult—but instead lends the LP an intergalactic sheen. Grimes once treated lyrics as meaningless sound, but here, she’s shockingly honest about the pain of posh isolation: “I’ll tie my feet to rocks and drown/You’ll miss me when I’m not around.” –Arielle Gordon, On Every Bad, Brighton indie rock four-piece Porridge Radio make a strong case for curative self-scrutiny. The Best Lil Uzi Vert Songs. 762 votes, 412 comments. ok I really dont care what people listening but really If I were a musical media source that has a history, I would think two times for putting the WAP to my best of the year list. See which albums are sitting at the top of this year's charts. According to bandleader Robin Pecknold, Fleet Foxes’ fourth album carries the mission to live “fully and vibrantly” in celebration of lost heroes like Arthur Russell and John Prine, an especially poetic resolution in the grey hours of the present.
Credenziali Accesso Asl Napoli 1 Centro, Rigore Inter-milan Coppa Italia, Gianna Fratta Ha Figli, Classifica Youtube Sanremo 2021, Vivo Per Lei Lyrics, Prise Jack Micro Casque,